Performance

“The city in the portrait”, Festival Malta, Poznań

The aim of this project was to give new meanings, representations of the personal and the public, to objects founded within the urban space and to the faces of residents. The portraits was created during the Festival, in front of

“The city in the portrait”, Festival Malta, Poznań

The aim of this project was to give new meanings, representations of the personal and the public, to objects founded within the urban space and to the faces of residents. The portraits was created during the Festival, in front of

The tourists, performance at the Gdansk Shipyard

The purpose of the project was to create by Beata Sosnowska drawing “puzzle” on large-format fibreboard that were hang on the side wall of Hall B64. The theme is the women who worked in the shipyard as welders and overhead

The tourists, performance at the Gdansk Shipyard

The purpose of the project was to create by Beata Sosnowska drawing “puzzle” on large-format fibreboard that were hang on the side wall of Hall B64. The theme is the women who worked in the shipyard as welders and overhead

Pain is something to get over

The performance “Pain is something to get over” is a form of a game, during which questions arise, such as: where are the boundaries of other people’s subjectivity and their right to self-determination. The starting point for the entire event

Pain is something to get over

The performance “Pain is something to get over” is a form of a game, during which questions arise, such as: where are the boundaries of other people’s subjectivity and their right to self-determination. The starting point for the entire event

Llipsspill

The concept of the installation/performance came from cooperation between Amareya Theatre from Gdansk and the graphic designer/painter/writer – Beata Sosnowska with the music by Joanna Duda. All of the artists engaged in the project are well established in the Polish

Llipsspill

The concept of the installation/performance came from cooperation between Amareya Theatre from Gdansk and the graphic designer/painter/writer – Beata Sosnowska with the music by Joanna Duda. All of the artists engaged in the project are well established in the Polish

OFFenses. Eroticism in the darkness.

OFFenses. Eroticism in the darkness. Audiovisual project. Maria Cyranowicz: voice m.ero.to.uch Beata Sosnowska: image sweet arts Agnieszka Weseli: text hungry pieces The main aim of the project “OFFenses” was to go beyond human sexuality, physicality and emotionality shaped by heteronormative

OFFenses. Eroticism in the darkness.

OFFenses. Eroticism in the darkness. Audiovisual project. Maria Cyranowicz: voice m.ero.to.uch Beata Sosnowska: image sweet arts Agnieszka Weseli: text hungry pieces The main aim of the project “OFFenses” was to go beyond human sexuality, physicality and emotionality shaped by heteronormative